The Dominance of DC

Four months after The New 52 crashed into comic stores, I'm still feeling the shock waves from DC's mega-successful re-launch. We did extraordinarily well in September and I don't foresee any time in the future when DC doesn't outsell Marvel in our store. I don't have access to 20+ years of sales data, but I feel pretty confident in saying that that has NEVER happened in the history of the Den. Not like this, not on this scale. The New 52 created new customers, and brought old customers back to the store. The New 52 was and is a success.

In addition to showing the power of targeted tv ads, The New 52 did a great job of re-invigorating their most popular characters. Neither Wonder Woman nor Superman & Action Comics were selling well, pre-launch. Post-launch, Wonder Woman and Action Comics are very strong sellers, Superman a little less so. I think that book will pick up when Dan "I Killed Superman" Jurgens returns to the book in a couple issues. In addition, the Bat books are selling strong. After Justice League, Batman by Scott Snyder is our best seller by a country mile. Snyder's pre-New 52 run on Detective was AWESOME (check out the hardcover of The Black Mirror that just came out) so this isn't a surprise. In terms of returning their main heroes to critical and commercial acclaim, DC succeeded.

The surprise break-out hits have been the Animal Man, Swamp Thing, Demon Knights and (to my surprise) Deathstroke. They're well-written, well-drawn and have a lot of buzz behind them. If they had been launched by themselves at any point within the last 5 years, I don't think they would've lasted long.

Not all of the New 52 are successes, though. Captain Atom, Mister Terrific, Men at War and a couple others are struggling. I don't know that having Blackhawks and Men at War was really necessary. Two war-themed books was overkill in a market that hasn't successfully sold war-based comics in decades (outside of GI Joe). I'm not entirely certain that all of The New 52 will make it past the 9 issue mark. I'm hoping they've got some new books being prepared. A lot of Stephanie Brown fans really want her back as Batgirl, so I've got my fingers crossed for that.

Some of the books have gotten better, too. I wasn't enthralled with New Guardians #1, but the 2nd, 3rd and 4th issues were MUCH better. Stormwatch #2 & #3 were an improvement, as was Resurrection Man. That said, I still think an extra month preparing for The New 52 would've given some of the creators a bit more time to put everything together.

When I reviewed all of The New 52 in September, one of my conclusions was that the books were very, very dark. They still are, and I' still wish they'd gone with a bit more variety. I think letting some of the books find their own voice instead of being editorially driven, would've been a good idea. But  they didn't ask me, the fools. :)

The other black mark I'm giving to DC is regarding pre-New 52 continuity. It's becoming more and more obvious that they have NO idea which stories from the last 50 years still count. A Facebook update on Dan Didio's page in October made the oblique comment that none of the Crises ever happened. Um, really? Going down that road already? I mean, I'm assuming Bane broke Batman's back, I'm hoping No Man's Land actually happened, and I'm praying that Gotham Central still counts for something. And if I find out that Starman by James Robinson didn't take place, I'm going to lose my mind.

On a smaller scale, DC isn't quite sure what to do with some of their other characters. I read an interview with JH Williams on Comic Book Resources, and found that DC doesn't know what they're doing with Renee Montoya, aka The Question. Given her popularity and prominence as one of the few lesbian super-heroes, you'd think that DC would know if her back-story still holds in The New 52. Apparently, noone's figured it out yet. That's pretty disappointing, if only because I could sell boatloads of a new Question series - especially if they got Greg Rucka to come back and write it.

So, continuity issues are a problem. The tone is still a little much for me. But I'm very impressed that all the trains are running on time. All of the New 52 have come out on time, except for Justice League #5, which is due to Jim Lee's wife having a baby over the holidays.

I'm not surprised that there's already been some creative changes. Ron Marz is off Voodoo, Gail Simone left Fury of Firestorm, George Perez is moving off of Superman, Ann Nocenti is taking over Green Arrow. and now it's been announced that Jim Lee won't be on Justice League #7 and #8. That's really disappointing. I mean, I'm happy Gene Ha is drawing #7, he's no slouch. But I honestly figured we'd get 9-12 issues from Jim Lee om Justice League. He may end up doing #9, but how many more will he get done after that? That's adowner

And yes, Voodoo is still my guilty pleasure. I'm still seething a bit at seeing my precious Wildstorm characters have their histories wiped away, but Voodoo is entertaining, so I'll live.

All in all, I think the New 52 has done a good job. There's a number of things they could've gone differently, but September was a success and created new customers. I can't complain about that.

As for the cancellation of Static Shock, Hawk & Dove, Blackhawks, Men at War, Mister Terrific & O.M.A.C... I'm disappointed, but not surprised. I think putting two war-themed books with the initial launch was a mistake. Mister Terrific was a good idea, but the first issue failed to execute properly. Hawk & Dove proved that Rob Liefeld still has fans, but not enough for an ongoing series to succeed. Losing Static Shock is a tremendous disappointment.

The replacements look stronger. An ongoing Earth 2 book by James Robinson harkens to his epic JSA 50's tale, The Golden Age. That, plus the Batman Inc series and World's Finest will more than make up for the loss of sales of the 6 cancelled books. As for Dial H, The Ravagers and G.I. Combat, I'm not sure how they're going to do. Another war book? Ehh... We'll see.

--

So what about Marvel? How did the Hulk and X-men re-launches do? How did Fear Itself end up? What's going on with X-Sanction, Avengers v. X-men & the Return of the Phoenix? Is the House of Ideas still cranking out greatness?

One word answer: Uhmmm... uhhh..

Okay, that was two.

To be continued tomorrow.

Be good.

Scott.

Looking Ahead - Feb/March 2012

Happy New Year!

I am as excited about comics in 2012 as I have been in awhile. The success of The New 52 is the gift that keeps on giving: We're starting to see sell-outs across the board, as we get more and more new customers. I'm fairly certain we're going to see some new announcements from DC within the next month or two, so keep your eyes peeled to teh interwebs for more info. In addition,  new works by Robert Kirkman, Nick Spencer, Ed Brubaker, and other fan-favorite creators have been announced, and it's only January.

On top of all that comic goodness, we've got movies for The Avengers, Batman, The Hobbit and more. The dwarves singing in The Hobbit trailer gives me goosebumps. I know it's easy to get down with all the economic news, gas prices and such, not to mention the fact that we're in an election year - I've barely recovered from the last one - but it's going to be a great year for comic fans.

Speaking of fan-favorite creators doing their own thing, let's start the year off with a bang. 

SAGA #1 
by Brian K. Vaughan and Fiona Staples
Comixology Link for Reservists

* Y The Last Man's BRIAN K. VAUGHAN returns to comics! We all know Y The Last Man, right? One of the best books of the 00's, it propelled it's creators into household names. While Vaughan went off to Hollywood to make the Big Green TV Dollars, he's kept his foot in the comic door, doing small projects here and there, and now he's back with his newest series, SAGA. Billed as Star Wars meets Game of Thrones, and the first issue is double-sized for only $2.99.

INFESTATION 2
by Duane Swierczynski and David Messina
Comixology Link for Reservists
* Zombies vs. the Teenage Mutant Ninja Turtles? Okay, I'm sold. The TMNT re-launch from IDW has done gangbusters and last year's Infestation cross-over was very popular. Now the zombies are back, and infiltrating the GI Joe, TMNT, D&D and Transformers universes. TURTLE POWER meets AUTOBOTS, TRANSFORM meets I CAST A FIREBALL meets YO JOE meets UGGGHHRHRH BRAINS.

Links to other parts of Infestation 2:

Infestation 2 Teenage Mutant Ninja Turtles
Infestation 2 Transformers
Infestation 2 GI Joe
Infestation 2 Dungeons & Dragons
Infestation 2 Team Up

SUPURBIA #1
by Grace Randolph and Russell Dauterman
Comixology Link for Reservists
* I hate the Housewives franchises, but this just makes me laugh. Supurbia is the "behind-the-scenes... TMZ-fueled" story of what happens when the superheroes come home, take off the costumers, and sit down to eat a meal with the Mrs. and the kids. I expect this to be slightly raunchy, possibly inappropriate, and the Guilty Pleasure of All Guilty Pleasures. I will never admit to reading this in public, but you know it's going to happen.

BATMAN BEYOND UNLIMITED #1
by Adam Beechen, Derek Fridolfs, Dustin Nguyen and Norm Breyfogle
Comixology Link for Reservists
* Terry McGuinnes returns! Batman Beyond was one of the casualties of The New 52 DC relaunch, and I'm psyched to see it return in a new format. In a thicker-than-normal 48 pages, you also get a back-up story featuring the Justice League Unlimited team.

FAIREST #1
by Bill Willingham, Phil Jimenez and Andy Lanning
Comixology Link for Reservists
*Who's the Fairest of them All? Featuring all-new tales of the female characters from Fables, Bill Willingham dives even deeper into the Fables universe. The Fables comic, much like Y The Last Man, has been one of the most consistent comics out there, with no ending in sight. This is a great jumping-on point for anyone looking to learn more about these classic characters, and adds depth for any current Fables readers.

ROCKETEER ADVENTURES 2 #1
by Various Creators
Comixology Link for Reservists
* Noone drew Betty Page quite like Dave Stevens. Returning for another round of creator tributes, IDW has put together a second mini-series featuring the much-beloved character. (My goal with this mini-series is to make sure I have enough copies for everyone this time.)

AVENGERS vs. X-MEN
by "The Architects"
Comixology Link for Reservists
* I wish Marvel would publish more "big event comics", don't you? .... yeah, I got nothing here. Here's hoping it's less disappointing that Fear Itself. Is that a good sales pitch? Oh, who am I kidding, we're going to sell a ton of this of just on the name.

THIEF OF THIEVES #1
by Kirman, Spencer & Shawn Martinboough
Comixology Link for Reservists
* Ooh yes.. yesyesyes. Robert "Walking Dead" Kirman and Nick "Morning Glories" Spencer team. Given how fast Morning Glories #1 flew out of here last year, and given that Walking Dead #1 sells for hundreds of dollars, I guess I don't have to tell you how hot Kirkman and Spencer are. These creators working together means that this book will not only be hot and highly sought-after, but it's going to be a great comic, too. Oh yeah, what's it about? Something about thieves, I'm sure. :) Seriously, these two writers working together is all you need.

DOMINIQUE LAVEAU: VOODOO CHILD #1
by Selwyn Sefu Hinds, Denys Cowan and John Floyd
Comixology Link for Reservists
* What comics need is an ongoing voodoo/mystery series set in New Orlea- Oh. There you are. I swear, the editors at Vertigo are mind readers. I was thinking the other day, "I can't wait for Treme season 3 to start on HBO, I love a good story in New Orleans." And BOOM!, now there's a new comic for me to salivate over. "Dominique Laveau: Voodoo Child" is too long for a title, but I can forgive them for that small transgression. The series takes place in post-Katrina New Orleans, and explores the hidden mystery of the Voodoo Queens and their role in shaping the events in The Big Easy. This looks very intriguing. Check out the first issue when it ships.

WINTER SOLDIER #1
by Ed Brubaker and Butch Guice
Comixology Link for Reservists
* I'm alright with Ed Brubaker writing more Bucky-as-badass comics. Ed Brubaker has done a terrific job with the Captain America franchise for years. Giving Bucky his own title as the Winter Soldier is one of the few new Marvel #1's that I can truly get behind, because I trust the creator implicitly. This is going to be Bucky working behind-the-scenes in the Marvel Universe, and if it's anything like the recently-released Fatale, it's going to be dark and very cool.

THE SECRET HISTORY OF D.B. COOPER #1
by Brian Churilla
Comixology Link for Reservists
* So, he jumped out of an airplace with a bag of stolen money, and noone ever found him? I didn't know who DB Cooper was until a year or two back, when I caught a cable special, talking about "the only unsolved air piracy in American aviation history." More here.  It's a fascinating story, so getting a comic book that plays off of that should be something different and unique.

THE TWELVE #9
by J. Michael Straczynski and Chris Weston
Comixology Link for Reservists
* The Twelve Return: Ladies and gentlemen, Hell hath frozen over. The Twelve is a confounding beast. This 12 issue mini-series started when I was still a music teacher upstate, but stalled after 8 issues. What made the late-shipping so irritating is that The Twelve was really, really good; Perhaps writer J. Michael Straczynski's best work in comics, to be honest. A lot of retailers got behind the book, many were calling it Marvel's Watchmen, but that joy led to frustration for readers when the issues started getting farther and farther behind. The book is all done, and will be shipping the last several issues over the next couple months. In addition, Marvel has put out a softcover of issues 1-6 and a reprint of issues 7 & 8, so anyone who wants to jump in, can. I'll say it again, just because it may be hard to believe: The book is completely done. So, have no fears that it won't be finished.

THE MANHATTAN PROJECT #1
by Jonathan Hickman and Nick Pitarra
Comixology Link for Reservists
* Jonathan Hickman loves science-fiction and it shows. The Manhattan Project is another Image mini-series by Jonathan Hickman, writer of Marvel's FF, Fantastic Four and Ultimates. This story is an alternate timeline, where "black" projects were taking place behind the scenes of The Manhattan Project. Last year's The Red Wing was superb, as were Hickman's other Image mini-series (Pax Romana, Red Mass for Mars, Transhuman, and The Nightly News). I love seeing new creators keep their feet in superhero work, while staying true to other genre work at other publishers. This is why, incidentally, Image is going to be my publisher to watch this year: They're knocking it out of the park.

SUPERCROOKS #1
by Mark Millar and Leinil Francis Yu
Comixology Link for Reservists
* Another Mark Millar mini-series? Works for me. Millar has his own style and has been moving away from superhero comics for awhile, his last work being on the Ultimates line last year. He seems more interested in telling his own stories, his own way. I'm okay with that, as long as he can get them out on time, which is a perception shared by both readers and retailers. Supercrooks is an Ocean's Eleven-type story, featuring all supervillains pulling off "one last heist", in Spain. OLE!

COLDEST CITY HC
by Antony Johnston and Sam Hart
Comixology Link for Reservists
* Being a spy sounds fun, until everyone wants what you want, and you're on your own. When you grow up reading the adventures of Jack Ryan, and one of your favorite movies is The Hunt for Red October, it's going to be hard to turn down a good Cold War yarn. Antony Johnston, who I've mentioned here before for his incredible work on Wasteland, has written a graphic novel about spies in Berlin before the war went down. Look, that should be enough for anyone who's ever loved a Tom Clancy book; The Cold War is and has been rife with fiction opportunities, and I'm glad to see another writer telling a tale of suspense and espionage.

FLASHPOINT THE WORLD OF BATMAN SC
by Brian Azzarello, Eduardo Risso and various
Comixology Link for Reservists
* The best Batman story in YEARS.. is collected in Flashpoint The World of Flashpoint featuring Batman. This collection contains the Batman: Knight of Vengeance mini-series from last year's Flashpoint event, plus several other great stories. But this book is worth it, just for the Batman story alone. In the Flashpoint reality, Bruce Wayne was killed while his father, Thomas Wayne watched. Now, Thomas Wayne wears the cowl, but he's old and weary... and that's all I'm going to say about this story, because any more detail would spoil it. This book comes with our highest recommendations!

Publisher links for product shipping in March 2012:

Dark Horse: http://pulllist.comixology.com/dmd/JAN12/?c=3
DC Comics: http://pulllist.comixology.com/dmd/JAN12/?c=1
IDW: http://pulllist.comixology.com/dmd/JAN12/?c=12
Image: http://pulllist.comixology.com/dmd/JAN12/?c=4
Marvel: http://pulllist.comixology.com/dmd/JAN12/?c=2
Vertigo: http://pulllist.comixology.com/dmd/JAN12/?c=1&i=3
Zenescope: http://pulllist.comixology.com/dmd/JAN12/?c=47

This week in comics: Bendis, Rob Liefeld, Being Awesome & More

Some days I come home, and find that the comic book industry has released little news of note. And then there are days like Tuesday.

* Brian Michael Bendis will leave the Avengers books next year. I cannot tell a lie: I love many of Bendis' early works. Fortune & Glory was great, Ultimate Spider-man (especially the first arc) was stunning and Sam & Twitch was much, MUCH better than any Sam & Twitch comic had a right to be. Plus, I had a letter published in the letter pages. Why? Because I'm awesome, that's why.

But his Avengers run... uhhh. Not my thing. Too much talkey, not enough 'splodey. Plus, it doesn't feel like an Avengers book, it feels like Marvel's Greatest Heroes Team-Up. I'm a traditionalist, what can I say. I think Spidey isn't a team player and Wolverine going off and killing people in Uncanny X-Force makes it hard to figure out how he can actually be on The Avengers and not get, y'know, arrested. And look, I can see how some people like looking at Spider-Woman, but come on... I can only take so much Jessica Jones. I mean, Jessica Drew. Wait, wasn't Jessica Jones based on Jessica Drew? So how are they both in the b-

Never mind.

I will give Bendis credit for one thing, though: Luke Cage is not a C-lister anymore. He made Cage a player. It is one of the few successful pushes for a minority character at Marvel in the last ten years.

So, Bendis is leaving. Someone else will be taking over. It's a change that's overdue, and I'm happy to see it happen. Given the downward spiral that have been the store's Avengers sales for the last 6 months, I don't think I'm in the minority on this one.

* ONCE UPON A TIME on NBC is by some of the LOST writers. Confession: I'm a huge LOST fan. HUUUGE. That said, I'm also a FABLES fan. It looked to a lot of people that NBC had ripped off the great Vertigo comic. So, what did Bill Williamson, creator of Fables do? He did an interview at CBR, telling people to lay off. What a guy.

Go. Read.

* I've been bad. I shouldn't talk about it, 'cause if I give away my secrets, you won't come to the blog and read my posts. Which is funny, because I write two entries a month, if I'm lucky.

I've been a bad comic manager. There's this comic that came out a month back, and I've been making people read it. Not buying it, but reading it. In the store. And it's... well, it's not your average comic. It's part sci-fi, part parody, part love story and part world-breaker. Reading this comic, will warp your mind. It will change the way you see things. It will alter your perception of reality.

Most importantly (and really, this is the main point), you'll put the book down, ask me "Why... why?" and then put your head in your hands and sob while I laugh hysterically at you. Amanda will laugh too, if she's around. She's like my little padawan of sadism. I'm so proud of her.

So, by all means, please go read OUR LOVE IS REAL.

(Just so there's no confusion, this is not a book for anyone under the age of 18. Oh, and I love it.)

* I like the idea that The Den is a place to get away from politics, religion, the real world, and other hot topic issues. We're an escape from the real world. At least, that's the way I like to think of it. I know, it's a crazy idea and I'm nuts for bringing it up, but that's the kinda guy I am: Nuts. Awesome. And slightly sadistic, in case you couldn't tell from the previous item.

Where was I? Oh yeah. Politics. So, as some of you might know, a couple people here and there have been getting together for sleepovers in a couple cities across the planet. And by "couple", I mean "thousands" and by "sleepovers", I mean "Occupy". See what I did there? I was sarcastic and you didn't see it coming. I told you I was awesome.

So, there's an Occupy Comics book coming out. It's not something that will be offered by our distributor, but the talent included in the project is stellar. It's one of those fancy-shmancy Kickstarter things.  Go take a look, and maybe pledge a couple dollars towards putting it together.

* This indy project caught my eye. I have no idea who any of these creators are, and who is publishing it, but I want:

Death Sentence

* In the ongoing debate about the role that digital comics plays in the comic industry, there's been a lot of conversation about "digital day-and-date", and whether digital comics will end up putting comic book stores out of business. I'm not going to lie, I get a little concerned sometimes that ten years from now, everything will be electronic and noone will come in to yell at me that they didn't get their Deadpool comic that week. I don't think comic/games/popculture stores are going to disappear, but I think there's some darwinism at play here: The stores that make themselves a destination for the customer, will get the tall green dollars. Those that don't, won't.

But then there's the creator side. What's it like to be a comic creator, watching the industry grudgingly move towards digital day-and-date? How does that tie into sales over the last few years?

Brian Wood, writer of DMZ, Northlanders, and the soon-to-be-published Wolverine mini-series, writes on his Tumblr about some of these topics, in lieu of the brou-haha that erupted around Dark Horse's digital day and date policy over the weekend. and a couple loud-mouthed retailers, about Dark Horse's digital day-and-date policy. Wood is always very honest about his work and his career, without taking shots at others. This is a great read for anyone who enjoys hearing about the "other" side of comics, as well for any future creators out there.

Highly recommended. Make with the clicky.

* And last but not least... Rob Liefeld. I don't know that there's a more polarizing figure in comics. Is he crazy? Is he a genius? By all accounts, he's the nicest guy you'll ever meet, and loves comics. I mean _loves_ comics. A buddy of mine had him in for a signing at his west coast store, and swore to me that Liefeld was the best salesman he'd ever had; The guy was pointing people towards great books left and right, many of which didn't have Liefeld's name on them.

But the internet loves to hate, and every time an article or interview pops up online, the comments section goes wild with "he can't draw feet" or "That pose looked awesome in 1995" or other low-quality snark. All that said, he's gotten 4 issues of The Infinite and 4 issues of Hawk & Dove out on time in the last 4 months. Any other Image founders even coming close to that?

So, in the spirit of fairness, I invite you to read this longish blog posting on Liefeld's site, where he talks about his work in the 90's, the time off he took around the turn of the century, and what it was like, several years later, to go online and find out that he had become one of the most hated artists in all of comics. It's fascinating and more than a little honest, to see inside the head of one of comics' most intriguing figures.

Reading that makes me want to fly him out for a signing. I wonder how many people would show up?

"How to beat the Haters" by Rob Liefeld

Looking Ahead: January & February

Previews came out last week, chock-full of new comic-y goodness that will be arriving in 2012. I popped open the large tome and found some cool reprints, new comics, and dollar books that I think a lot of you will dig. I've add Comixology links for our loyal Reservists, too.

Enjoy.

"But my feeling is what Gotham really does is challenge you in these ways that shake you to the core." - Scott Snyder, from an interview at CBR.

* If you've been enjoying the new Batman series by Scott Snyder or All-Star Western featuring Jonah Hex in late 19th century Gotham, then BATMAN GATES OF GOTHAM is a must-have.

Gates of Gotham sets the stage for the history of Gotham and the Five Families. It details some of the back-story and relationships between the Waynes, the Cobblepots and the rest of the Gotham families. This trade paperback collects the entire mini-series at a reasonable price and is a GREAT Batman story. Highly recommended.

Kudos to DC for releasing it first as a trade paperback instead of a hardcover.

Comixology link and more information can be found here.

* WASTELAND is a post-apocalyptic series that teases a dark future with lots of question. While the book itself has been solid, it's struggled with coming out on time over the last 18 months. The creative team and publisher recently put out a press release that addressed the issues with candor, and announced that issue #33 is going to be $1. A new jumping-on point for a series tabbed to go 60 issues, #33 might not be the best place to start, but for a dollar, it's a good gamble. Vertigo and Dark Horse fans, this will be a book you might enjoy. I've been reading the series for years, and it's distinctly different than anything else on the market.

It's a dollar! Give it a shot!

Read an interview with the writer, Antony Johnston at CBR.

Comixology link and more information can be found here.

* It feels like Ed Brubaker and Sean Phillips has been creating great crime/noir fiction since the dawn of time, so I'm stoked to see that they're doing a new ongoing series entitled FATALE. The difference between this and his other crime work, is that this comic will have a supernatural bent. If you like Criminal, Sin City, The Usual Suspects, 100 Bullets or any crime noir movie/book/tv show EVER, then you're going to enjoy this series. Two of comics' best creators, who've worked with each other for a long time, doing their best work? This is going to be a great book.

A video clip from Brubaker plus several finished pages can be seen here.

Comixology link and more information can be found here.

* Ridiculously long title aside, WOLVERINE AND X-MEN: ALPHA AND OMEGA looks very cool. Quentin Quire and Wolverine square off in this mini-series written by Brian Wood. Brian hasn't done much superhero or work-for-hire books in awhile, but coming off of his DMZ and Northlander runs at Vertigo, he's doing this mini-series and he's working on Conan at Dark Horse next year. I think this will be one of the better mini's to come from Marvel in quite some time. Given that Kid Omega (Quire) played a huge role in Schism, I think this series is going great. Wood has a different sensibility than a lot of the guys at Marvel, and I think it'll show.

Comixology link and more information can be found here.

Don't die Optimus, I.. I... I think I love you.

* IDW relaunches the Transformers books with two new ongoings: TRANSFORMERS ROBOTS IN DISGUISE and TRANSFORMERS MORE THAN MEETS THE EYE

Look, this is a series about alien robots who transform into cars and guns. Do I really need to sell this? :)

Comixology link and more information for More Than Meets The Eye and for Robots In Disguise.:

* A couple months ago, a Kickstarter project was started to raise funds for an entirely female-created comic project called WOMANTHOLOGY. The fundraising was a HUGE success, and here is the result: THREE HUNDRED PAGES of female-created comics. The price tag is high - $50 - but proceeds from this book will be going to charity.

This will be a great book to give in time for Valentine's Day. Hint hint, gentlemen.

Comixology link and more information can be found here.

I liked her better with the mohawk.

* SNARK ATTACK: AVENGERS #21

Storm joins the Avengers! What, Maggot and Stacy X weren't available? I mean, haven't most of the X-Men and FF already become Avengers already? Sheesh.

Come on, Marvel. This the best you can do?

I'm not giving you the Comixology link. I'm sorry, I just can't.

 

The New 52: The Reviews, Mr. Rood, and The Rage

So, September is over and wow, what a month. Easily the best of month of comics we've had in a long time. It was exciting and crazy and nuts and fun and just... wow.  I'm not going to lie, I was a bit nervous about the orders we'd placed for the New 52. As most of you noticed, we got a LOT of comics in this month. We placed those orders a couple months ahead of time, and had no idea how much interest there would be. Fortunately for us, there's been plenty.

In addition to new and returning customers, I've also gotten a lot of questions, both in-store and in e-mail, about the New 52. Now that September is in the books, I figured I'd post some general answers and information.

(I want to quickly thank loyal employee Brittany, her paramour Garrett, and miniature artist extraordinaire Mark Lake 2.0 who went to New Orleans for some game thing, and brought me back a hand-rolled stogie.)

So, *lights cigar*, it's the weekend, let's do this.

--

Q: You guys ordered a lot of the New 52. How come you have more than other stores?

A: I can't speak for the ordering practices of other businesses. However, my sense is that a lot of comic stores played their numbers close to the vest. They didn't think this was going to do well, or they didn't have the cashflow to go in deep on the #1's. I can't blame them, noone gets rich off of comics anymore. The last couple years have been rough on everyone, it's a tough business.

Q: Why did you guys think it was going to succeed, and they didn't?

A: Because this was the first Action Comics and Detective Comics #1 in over 60 years.

Q: But DC and Marvel re-start all the tim-

A: Don't mean to cut you off, but that's not completely accurate. In the last 15 years, Marvel has gone to the re-launch well again and again. I think the Avengers books have been relaunched with 4 #1's since 1998? Maybe 5 if you include Heroes Reborn? Thor and Cap have gotten at least 3 themselves. Over at DC, Green Lantern got a new #1, Flash has gotten a couple (botched) re-launches, but Superman, Wonder Woman and Batman have kept their corresponding numbering for decades.

You can say that Marvel has been guilty of numerous re-launches (too many, really), but DC has not been as egregious in this area.

Q: So it was because of Action Comics and Detective Comics #1?

A: Yes and no.

Q: But you said-

A: I was being snarky.

Q: Shocker.

A:... Is there a question?

Q: So why did you order so many?

A: John Rood convinced me.

Q: Who is John Rood?

A: Back in June and July, DC Comics sent most of their VP's (Including Jim Lee, Geoff Johns and Dan Dido) across the country to convince retailers to order huge on this and answer questions about the re-launch. I went to the one in Manhattan and came away feeling inspired. Everyone from DC was enthusiastic and you got the sense that it was "all hands on deck" for the re-launch. They were going to do everything possible to make this work, and if it didn't, people were going to get fired. That's not a joke; Didio laughed more than once about how his job was on the line.

But it was John Rood who got me thinking that the New 52 was going to be a success. Rood is DC"s Executive VP of Sales & Marketing. When it was his turn to speak, he talked about how DC was going to do newspapers, blogs, this and that, even some radio... and then he mentioned tv.

I sat up.

Over the last ten years, comics have gotten a tremendous amount of press in newspapers and magazines, but only the occasional mention on TV. Usually it's controversy, like when a Captain America comic criticized the Tea Party and Fox News gets upset.

But COMMERCIALS? On all of the Warner Bros. channels? That's a game-changer. Even with TiVO's and illegal downloading, lots of people still watch commercials.

That's when I knew this was going to be big.

There was also a number of returnability and cost-saving measures available to us from DC; that convinced David and I that we had a safety net to work from. If this didn't work, it wouldn't cripple the Den.

Q: So have you sold a lot of the New 52?

A: Tons. Just tons and tons and piles of comics. It's been heavenly.

Q: But you sold out of some..

A: Yeah, we're not perfect. We under-ordered on most of the Batman titles, and anything that ends with "-girl" or "-woman". Seems to be a trend, actually. In talking with other stores, the Batman titles were the first to go. Most of the first prints from the Batman family will be the hardest to find in the long run, I suspect.

Q: Do you think comic stores will go out of business like they did in the 90's, because of the New 52?

A: Not quite, no.

Q: Why?

A: There were numerous reasons comic stores closes in the 90's: Over-reliance on variant covers, late comics from Image, the distributor wars, over-ordering on X-Men #1, the move from the back-issue model to the bookstore/Graphic novel-model, there's no one definitive reason for the bust period of the 90's; it was a perfect storm of calamity.

But the New 52 #1's were under-ordered. Supply did NOT meet demand. Not even close. Stores didn't order enough, DC didn't print enough. End of story.

Q: What about digital comics?

A: I think we're at least a full generation away from paper comics dying. DC has proved that there's still plenty of life in paper comics and comic book stores.

We're not going anywhere.

Q: Are you going to offer digital through your website?

A: At some point, yes. However, the business agreement to offer DC's New 52 through the web was... well, it wasn't very good from a retail standpoint. Not going to spend a lot of time on that, other than to say it was onerous. Not something I wanted our name attached to.

Q: How many of the #1's have gone to 2nd printings?

A: All of them.

Q: All? Wow.

A: Yeah, and Justice League #1 is on the 4th printing. Batgirl is on the 3rd. Detective will get another print, as will others.

Q: You reviewed all of the #1's?

A: Yeah. You can find the reviews for Week 1, Week 2, Week 3, and Week 4.

Q: Any stand-outs from the New 52? What else did you think about them?

A: I have lots of thoughts.

Q: No kidding.

A: ....

I'll let that one go.

Some conclusions from the New 52:

*  From a sales and creative view, the Batman family did fantastic. Thumbs-up across the board. Batman #1 and Batwoman #1 were great. I didn't like Detective as much as everyone else, but that's just a matter of personal taste.

* I think some of the costumes were a little TOO 90's-esque. See Deathstroke, Teen Titans (hate the Kid Flash and Red Robin re-designs)

* There were a bunch of surprises: Frankenstein, Animal Man, Demon Knights and Swamp Thing were all solid reads. Animal Man, especially, was creepy as hell.

* The Legion books were a massive disappointment: Legion Lost needed a re-write. Legion of Super-Heroes looked gorgeous, but was NOT a good #1. Not getting these books right was a missed opportunity.

* I confess, the Green Lantern books didn't do much for me. Yes yes, I know, I'm a huge Red Lanterns mark, but I thought that was the best of the GL books. New Guardians wasn't bad, but Green Lantern didn't feel like a good starting point for new fans, and Green Lantern Corps was just there. The days of GL being DC's best-sellers are over, I think.

* Superman, Action Comics, Wonder Woman, Aquaman and the Flash were all home-runs. Great books all around,  but in different ways. The Aquaman scene (you know which one) was hilarious. Flash was gorgeous. Action Comics was Grant Morrisson doing his Golden Age pastiche. Wonder Woman was the first WW book I'd read in years that felt right.

* There's been some internet hub-bub about the sexual content in Catwoman and Red Hood. Between that and the violence in many of the books, I don't think most of the New 52 are appropriate for under-16 crowd.

* Great to see Justice League with Jim Lee on board, but it felt a little too decompressed. Not enough story for my tastes.

* Most of the New 52 ended on a cliffhanger. The era of decompressed storytelling is limping to a close, we're going to see more of this type of storytelling in the future.

Q: Speaking of Justice League, why does Hal have a ring there, but not in his own book?

A: One area DC really botched was explaining the timelines and continuity aspect of the New 52. In short: Action Comics is Year Zero for it's first story arc. Justice League is Year One for it's first story arc. Everything else is Year Five, or thereabouts.

Q: So what will happen with the #2's?

A: Well, we increased our order on some of them.

Q: Really?

A: Yeah, and I ordered bunches of the 2nd printings, although I don't think they'll be around for very long.

Q: More sell-outs? Does this mean my comics will be worth more?

A: Ah, er, um.. well, look. I can't deny there's serious secondary market action on some of these titles, but anyone looking at these as an investment should remember the Death of Superman. Those books aren't worth much more than cover price anymore, if that.

Q: So that's a 'no', then?

A: It's a warning.

 Gambling on collectibles is very risky. For my money, I'd buy the ones you enjoyed reading, stick 'em in a bag and board, and check e-bay once the collected editions come out. Or keep 'em forever. Or fold 'em up and put them in your back pocket. I've got a couple customers who do that.

Q: My last question is about Marvel.

A: Haha... yeah. Marvel.

Q: What are they going to do to compete?

A: Great question. Short answer: No idea. Long answer: They have to do something. They've been crowing about being the #1 publisher of comics for years and years. Those days are done, over, kaput. I look at my sales for the month, and every DC book outsold our best-selling Marvel titles (FF & Uncanny X-Force).

I also think there's something to be said about Marvel's $3.99 price point not matching the quality of some of their titles. Sometimes I read Avengers or a couple other Marvel titles, and put the book down 3 minutes later and say to myself "That's it? Really? Yeesh."

And I know I shouldn't say that (yet another reason why I don't review books much) but at the end of the day, I know that every dollar counts more than it has in years. I want you to enjoy what you buy, not make purchases out of inertia - aka "I've been buying this one forever", etc. I can always find a good comic to put in your hands, I promise. :)

Q: So what's next?

A: Next is Comic-Con in New York. The Dragon's Den will be in attendance. We'll be selling tons of games and gaming merchandise at Booth #2920. I'll be running around meeting people and getting publishers to buy me drinks. There's also a rumor we'll be giving away a complete set of the New 52 #1's. (I can neither confirm nor deny such a rumor.)

After NYCC... it's the holidays, and that's a whole 'nother level of craziness.

But in the meantime, it's an exciting time to be a fan of comics

-Scott.

(This post was written with the assistance of the music-based word editor OmmWriter and a well-rolled cigar. Thanks Garrett.)

DC New 52 - Week 4

4 weeks and 51 comic reviews later, the first month of the New 52 is done and in the books. (Yes, I missed a couple reviews along the way, whaddyawantfromme). Each week, I took home a pile of comics, then read and reviewed each one. I occasionally had to scrub my brain of the violence and gratuitous nudity (okay, I didn't scrub all of it), but it was an interesting challenge; Reviewing books has never been something that came naturally to me. Personally, I don't like picking apart the medium I love, and professionaly, I really don't like speaking too critically of any of our product, even though I think it's important to be honest. But I learned a couple things along the way, so I guess I could conclude my month-long reviewing experiment with "it was fun".

And I am never, ever doing it again.

... although Sean and David are telling me these reviews are driving traffic to the blog, and that I might be doing more of this in the future.

Oy.

--

So here we are, Week 4 of the New 52. Coming into September, it was the last week of the month that looked the most intriguing:  Cult characters (Firestorm), Old concepts by hot new talent (I, Vampire), popular b-lister written by popular A-lister (Aquaman), several artists taking on writing duties for the first time (Manapul on Flash, Van Sciver on Firestorm) and one high-profile artist writing again for the first time in a long time (Perez on Superman).

A very interesting batch of books. And overall, I'd say this is the best comics week of the month.

Hands down.

So let's get into this and see if I have any more rage-induced meltdowns.

Run Forest, run.

* Flash #1 - Francis Manapul had some assistance on the writing chores, but wow... this did something no comic has ever done before: Made Barry Allen likeable. Sorry Silver Age fans, but to me, Barry Allen is the equivalent of the bow tie; it's quaint, is nice to bring out every couple years, but gets really boring, really fast. But yeah, this was a great read, and you can see Manapul really playing with the layout and format of each page. Reminds me a bit of JH Williams on Batwoman. I think this book has serious potential to go from very-good to Fantastic.

And that's a Flash Fact.

(Sorry, couldn't help myself. It was that good.)

* Justice League Dark #1 - If you're going to take a bunch of Vertigo fan-favorites and put them together on a Justice League-like team, then Peter Milligan is the guy to do it. Whereas Red Lanterns sometimes felt a little too mainstream, this one is dark, creepy and has just the right tone. I see they cleaned up Zatanna's costume a little, too. Good idea, the fan backlash on that was getting a little hoary. The art on this was a good mix of Vertigo and Super-hero, but it felt a little rushed sometimes. Great start, this looks like it'll go the distance.

* Blackhawks #1 - Had to struggle to finish this one, but that's because I don't have much connection to the characters. Okay, I'm lying, I have _zero_ connection to these characters. Have I ever read a Blackhawks story? Hm. Food for thought. Anyways, the story was okay, the art felt rushed here, too, in places. This was probably the most "meh"-like book of the week for me. Really didn't do much for me.

* Voodoo #1 - My Wildstorm-induced rage has been whittled away after the last month, so no red ring this time about how they've destroyed one of my precious characters (not yet, at least. keep reading). This book was a little gratuitous, and felt a little light on the plot. Whereas Catwoman was cheesecakey and over-the-top but still had a good story, Voodoo was lacking in substance.

Look at him. So cute.

* Annihilators Earthfall #1 - Ah, Abnett and Lanning. I may have a mancrush on these guys. The cosmic Marvel books have been awesome the last couple years, and this books is no exception. Plus, look at that cover! Beta Ray Bill bringing THE SMACKETH DOWN on the Avengers? Totally sold. And it's got a talking Russian dog cosmonaut.

What? Oh, sorry, yeah, Annihilators Earthfall is not part of the New 52. Or, um, published by DC. But it's a damn good book anyways. Go buy it.

IT'S GOT A TALKING RUSSIAN DOG COSMONAUT, FER CRYIN' OUT LOUD.


* Fury of Firestorm #1 - A little heavy-handed with the race conversations, and I was surprised that they went for a cold reboot of the Firestorm mythos, instead of playing off the Brightest Day stories, which, frankly, set them up just fine. But they lost me at the end with the 2 Firestorms and Fury. That just didn't do it for me at all, sorry.

* Aquaman #1 - Oh hey, this was good. Good, clean, bright, shiny art. Aquaman just popped right off the page, and the story was fun. I had a "They did this bit far better on South Park" moment about halfway through the story, but I really dug this. Good action, good laughs, good drama, good ending. Best Geoff Johns story of the month, hands down.

* Green Lanterns New Guardians #1 - Oh. Oh wait. What. What are they-what is this. What.. Why..  Why are they remaking Kyle's origin? What is- Kyle has friends? No DC, no Kyle Rayner is the creative artistic type. WE HAVE NO FRIENDS, DC. What is, wait he's being compared to Hal? That SILVER AGE LOSER? ARE YOU KIDDING ME? WHAT IS THIS- WHY, DC? WHY DO YOU HATE ME SO? WHY CAN'T YOU JUST I DON'T UNDERSTAND- WHYDOYOUMAKEMESOANGRYOUWONTLIKEITWHENI'MANGRYYHULKSMASHHULK
WANTREDRINGTURNINTOREDLANTERNAND...

Sigh. Okay, this was a really, really solid first issue. Quick origin, then a jump right into the action, while quickly drawing comparisons between him and Hal, and... man, Grant Morrisson did this much better in JLA about 12 years ago. Oh, but hey, the Rainbow Corps show up, along with my main squeeze, Bleez. Good times.

* All-Star Western #1 - Jonah Hex in Ye Olde Times of Gotham City? Yeah, this was fun, although it felt a bit padded. Add in one of the Arkham's, and all the backstory of the city created by Scott Snyder in Gates of Gotham (great story), and the writing was pretty good. The art was flat though, not a lot of contrast in color or tone. I understand why they went for this particular look, but they overdid it a bit.

* Savage Hawkman #1 - Again, the art didn't look completely finished here. The writing was okay, but nothing special. And I have to say: Hawkman is the posterboy for screwed-up continuity @ DC for the last 25 years. I don't think he should've been part of the reboot, and I don't know that I quite understood his origin story in this one. Weak first issue and the weakest of the week.

* Teen Titans #1 - Fresh start with the characters and I liked it. The art crackled, and the writing was solid. "N.O.W.H.E.R.E." seems a bit much, though, but Lobdell and Booth did a good job here. Nice hook on the ending, even though we probably knew that was coming.

Nice um, bunny ears.

* Batman The Dark Knight #1 - Man, David Finch can really draw, can't he? If he can stay monthly,and undo the mess he's made over the last year on his first aborted attempt on this series, maybe he can salvage his reputation. Gorgeous book. As for the writing, I have a soft spot for Paul Jenkins: A number of years ago, he wrote an Inhumans mini-series, with artwork by Jae Lee. Beautiful art, great story, I think it's Jenkins' best work ever. But everything he's written since (with the exception of the original Sentry story) has lacked the magic and mystery he put into Inhumans. The writing on this one is no exception, the words felt awkward and forced sometimes. It's been awhile since Jenkins had a monthly gig, so I'm hoping he gets back into things on this title. But for now, the art is enough for me to say good things about this one, even though that last page was just... yeesh. Don't know about that.

* I, Vampire #1 - I had high hopes for this one, and it did pretty well. The art was a wee bit too Vertigo-esque (more of that rushed feeling I've been getting over the last month.) The writer, Joshua Fialkov wrote the INCREDIBLY creepy Echoes for Top Cow earlier this year. That story sent chills up my spine. Great stuff. I, Vampire succeeds in setting up the first issue, although the art sometimes got in the way of the story. I needed to re-read this to make sure I had the characters right.

* Superman #1 - And now, something slightly different. For all the internet hooplah about Scott Lobdell writing three of the New52, it went practically unnoticed that George Perez was jumping in on the "other" Superman book. The writing was distinctly old-school, but I came away feeling like I actually _read_ a comic book. It had weight and heft, it felt like a story that had consequence. A good done-in-one, although the "old-school" feeling was a little much some times. The art was serviceable, no flaws, didn't feel rushed, but I wish they'd gone with someone a little flashier for the first issue, y'know?

New dress code at work? I'm sold.

...aaaand that's it. Come back this weekend as I blog my concluding thoughts on the first month of the New 52, talk about what we're doing at NYCC, and I smoke a hand-rolled cigar brought to me directly from the New Orleans aka The Big Easy.

No. Really.

-Scott.

(This blog post was written with the assistance of Ommwriter. Simple music-based word editor that's highly recommended for any writing types out there. )

New 52 - Week 3 - Reviews from Kathy!

Kathy from The Gamer's Gambit in NJ has also been reviewing The New 52. Check out what she thinks!

Batman: A good beginning, even if the origin story is glossed over. This comic dives into who is Batman? Who is Bruce Wayne? What is Gotham City and is there hope for it? 3.5 out of 5.  

Birds of Prey: Just as the Birds of Prey begin someone wants them—and a nosy reporter— out of the picture. Will this mysterious group succeed? An exciting beginning that could have used a little more story that seems to have taken a different turn with the new creative team. 3 out of 5.

Blue Beetle: The origin of the scarab, and why the earth should fear it. A villainous group wants the scarab, but will they be able to get it? Although this comic, sadly, confirms that Ted Kord was never a Blue Beetle, it’s a good story and a solid beginning. Sadly, 3 out of 5. I’m hoping issue two is better.

Captain Atom: Beginning with a crisis about his powers is an interesting start; a way to get around the origin story while still explaining who he is. Even so, it’s kind of meh. 2.5 out of 5.

Catwoman: From reading this, we know that Catwoman loves trouble. Jewelry, cats, money, Batman, sure, she loves those things as well, but they all lead back to the same: trouble. After her apartment gets blown up, she needs a way to get cash fast. Meaning, she needs something to steal. 3 out of 5.

Green Lantern Corps: Thousands of light years away, Green Lanterns are getting massacred! On earth, Guy Gardener and John Stewart try to balance their heroic and civilian lives, until duty calls. 3 out of 5.

Legion of Superheroes: Oh look! Introduction bubbles! So now we know who all these people are… but I’m still confused as to who the people in Legion Lost are. But it’s much less confusing than Legion Lost, and is even enjoyable at times. I just wish they reversed the release order of this with Legion Lost. 2 out of 5.

Nightwing: Dick Grayson is back to being Nightwing, beating up criminals in his own way rather than as Batman. He’s used to seeing the worst in Gotham, but how will he handle the circus coming to town? To everyone else, it’s just an ordinary circus. To him, it’s a bitter-sweet memory: place where he grew up and performed, and the place where his parents died. 4 out of 5.

Wonder Woman and Red Hood: I put both of these together because I’m confused. Wonder Woman dives right into acts of evil, but I don’t recognize the guy who looks like he’s made entirely out of black rocks. Nor do I recognize the girl that’s being chased after or why she knows Diana/Wonder Woman. And Red Hood? It… seems like DC’s answer to Deadpool, but it doesn’t have the same feeling. I know who Red Hood is because I’m a Batman fan, but what is he doing with those two. Why is Starfire on the run? Why is she so quick to have sex? It has just as little explanation as Wonder Woman. What is going on in both of these?  Both 1 out of 5.

What do I recommend so far?

Frankenstein: Agent of Shade- Don’t let the cover or the goofy title fool you. It’s good. Good characters, good story, I can’t wait for issue two. My favorite, if only because I want it to succeed so much! The Bat family? They’ll do fine. Green Lantern? No problem. I’m most worried this will fail due to a lack of star power despite being better than the rest of the 52’s.

Batgirl: This comic has, sadly, gotten a lot of negative feedback due to Barbara Gordon no longer being Oracle. It’s a touchy subject, but it’s been handled well. It’s emotional and realistic, and it’s nice to see that even superheroes have trouble with fear. I’m reading this to see Barbara Gordon adjust to her new role.

Batwoman: The art may be better than the story, but I’m a sucker for mysteries and the supernatural. For all of the “world’s greatest detective” praise that Batman gets, this one seems to have much more mystery to it than the main Batman titles.

New 52 - Week 3

Another week of comic-y goodness from DC, as The New 52 rolls on. We've still got most of the books in stock from the first 3 weeks (including Justice League and Action Comics).

Let's get into it:

--

Catwoman #1: I'm a huge fan of Judd Winick's independent work (Barry Ween, Pedro and Me), but most of his DC work has felt flat. This, however, was a wild sexy ride. If you've been reading the internet, you already know about the... encounter, at the end of the book. This was far more fun than I thought it'd be, to be honest. Then again, I'm biased, Dick Grayson isn't the only one who has a thing for redheads.

(That comment will make far more sense if you read a couple of this week's books... but I'm not telling which.)

Supergirl #1: Supergirl lands to earth, falls through Kansas, burrows through the planet to Russia, gets into a fight and... that's pretty much it. Waitwhat? This book read a little too fast for me. Not enough content, but the art was nice.

DC Universe Presents Deadman #1: Ehhh... i dunno. The art was okay, the writing was okay, the ending was a little abrupt, but I wish they'd stayed more in line with the Brightest Day continuity (as hinted in Hawk & Dove), rather than re-do his origin. Overall, a good #1, but nothing special.

Red Hood & The Outlaws #1: Holy moly, a comic featuring Jason Todd that makes him actually likeable? Scott Lobdell is 2 for 2 on his DCU books so far. The art was good, Starfire was a bit, um, provocative, but this was a solid start.

Blue Beetle #1: Jaime Reyes returns, again, as the Blue Beetle. I really liked the introduction, tying the Scarab in with the Lantern Corps. This was a little light-hearted, compared to the rest of the DCU, it felt more like the early issues of Ultimate Spider-man, which is exactly the tone they should be going for.

Wonder Woman #1: Yeah, okay, now this is a WW book I can get behind. One of the better WW stories I've read in years, frankly. They're dipping their feet into the Greek mythology behind the character, while creating a new villain and adding a new supporting character. Great read.

Legion of Super-heroes #1. le sigh. Okay, I've got to say, the art on this was GORGEOUS. Great detail, lush backgrounds, just incredible stuff. Francis Portella, you created a fan. But the story... man, this would've been a good Legion of Super-heroes #7, but this was NOT a good #1. It felt like a continuation of the previous run, and had characters all over the place; I had no idea who was who, doing what and where. Good comic, bad #1. Really loved the art, though.

Captain Atom #1: Couldn't get through it, the art was too murky. Will try again next week.

Nightwing #1: Hey, another solid book! Great to see Dick back as Nightwing, although it went a wee bit too heavy on the origin story for my liking. This was one of my favorites from the week.

Birds of Prey #1: Not certain what to say about this one. It felt the same as the Deadman book, it didn't do much for me, either way. Black Canary is putting together a new team. The art was serviceable, the writing the same. I don't know, this just didn't jump out at me one way or the other.

Batman #1: But this was AWESOME.Great #1, great Batman story. Capullo's art was pitch-perfect, and the writing was fantastic. this is all I want from a Batman book. Great, great stuff.

Next week: I, Vampire! Superman! Justice League Dark! Voodoo!

New 52 - Week 2

The New 52 continues with the 2nd wave of new titles. After reading the first two weeks worth of titles, there's one word to describe The New 52: Dark.

Not that there's anything wrong with books that are dark in tone or material, but I'm hoping we see a bit more sunlight and hope peek through the books as the month continues. Too much of anything can be.. well, too much.

That said, there's some gems this week. Let's get to it.

Deathstroke #1 - Good introductory issue. An all-in-one plot for the character, plus a hook at the end. A bit of a surprise there, with his comment about not liking competition; it made me laugh. The one thought I had (and this has gone through my head a couple times in the last couple weeks) is that Deathstroke's outfit was a little too much 90's Image Excess. Sometimes simpler is better? (See Batwoman's costume). That said, solid first issue.

Grifter #1 - Oh, DC. Why must you take my previous Wildstorm characters, pour gasoline on them, and then make me watch as they slowly burn away, never to be remembered by those of us who loved them ? TELL ME WHY, YOU SADISTS.

Okay, got that out of my system.

Grifter was described as Sawyer from Lost meets the DCU. That pretty much hits it on the head. Grifter is a con man, but things go very bad, very fast. This was a good first issue.

Mister Terrific #1 - I was very happy to see the fan-favorite from JSA get his own book. It was a good story, but it felt a little write-by-numbers, y'know? It lacked oomph. This one might take a couple issues to come together.

Green Lantern #1 - Anyone who was reading GL before this month should be able to pick this up and jump right in. For new(er) readers, it might be a little tricky, trying to figure out why Sinestro is Green Lantern instead of Hal, who the guys in the yellow uniforms are, and what's going on. Also, isn't Carol still in-charge of the you-know-who's? BRING BACK COWGIRL, GEOFF JOHNS.

Sometimes I wish Geoff Johns would write just one book a month, instead of 2-4. Ever since he became head honcho/VP at DC, his writing hasn't been the same.

Batman and Robin #1 - Oh Damian, you lovable jerk. Why can't you and Daddy Wayne just get along?

Frankenstein Agent of S.H.A.D.E #1 - Like Animal Man and Swamp Thing from last week, this one floored me. Great, strange issue. Franky's father is in the body of an 8 year old girl? I couldn't possibly pin this one down with one word, but I'll try: Must-buy.

(Yeah I cheated there. Whaddya want from me?)

Demon Knights #1 - I was both amused and disgusted by the "rough" comment. If you've already read it, you know what I'm talking about. If not, you'll understand. I have to confess, my expectations were low for this book, but they surpassed them. This was a "pieces and players coming together for the first time" -type first issue, and it was fun. Good read. Anyone who read Stormwatch last week already knows this ties into the history of the New DCU.

Resurrection Man #1 - With all my love for Abnett and Lanning, you'd have thought I read the original Resurrection Man series, right? Wrong. The writing on this was strong, and it felt like a "long read". Great value for $2.99. The art, though, was a little off. Sometimes the characters looked disjointed? Body parts not quite lining up right? It added a little atmosphere to the book, but it also took me out of the story sometimes, too.

Superboy #1 - Hey now, this was good. They've jettisoned all the previous Superboy stories (and Teen Titans, I'd imagine), and stated fresh.  Solid first issue, one of the best from this week.

Legion Lost #1 - ... and now, one of the weakest. Yikes, this was messy. Too much talking about superpowers, and the costumes are so complicated I STILL don't know who's who. Or why I should care. Granted, it's easy to be intimidated by all the LSH characters, there's only a million of them. But "time-traveling super-heroes from the future, stuck in the present"? That's a pretty nifty concept, but all the language about the "Flashpoint wall/event/whatever" lost me. Hopefully next month is better, 'cause I'm going to hear about this review from loyal reserivst Gatti, that's for sure.

Red Lanterns #1 - And now, a big ol pile of Rage. As many of you already know, I'm a huge fan of the Red Lanterns (my rage issues are legendary, ask the employees at the Den), so I've been waiting MONTHS, nay YEARS for Atrocitus and the Almighty HATE KITTEH to get their own book. This was another strong introductory issue, and Ed Benes did a good job on the art.

Suicide Squad #1 - Like you could make this title anything BUT dark, right?  Lots of blood and mayhem, but I have to confess, it was missing something. In the original Suicide Squad by Ostrander and it's spiritual successor, Secret Six by Gail Simone, the books were dark, but balanced  with a little light comedy here and there. Halfway through this book, I thought to myself "Why isn't Gail writing this?" The voices in my head had no answer. The only other criticism is my own blinders: Anytime I see Harley in a comic, I automatically pipe in her voice and mannerisms from The Animated Series. This book didn't jive with the show. That's more me, than anything else, I think.

Batwoman #1 - This was awesome. The. End.

-Scott.

The New 52 - Week 1

...and here we are.

After months of questions and teases and press releases and the occasional fanboy rage, The New 52 have landed at the Dragon's Den. After reading all of this week's books, I came away pretty impressed. All of the books are easy jump-on points; you don't need to know anything about the characters, but if you do, that's okay too. DC's done a good job of blending "jump-on point" without tossing away much of the continuity for the older readers.

Random comments:

* Most of the titles managed to end on a cliffhanger. Some more memorable than others (Detective Comics, for one)

* Several of the covers are different than originally solicited. That's not a bad thing

* I'm hearing many reports of stores under-ordering these books, across the country. This may sound crazy to you, but I'm just saying this now: I am fairly certain that all of The New 52 #1's will be go to 2nd printing by the end of the month. Get the 1st prints now. Trust me.

 * Review Time.

Justice League #1 - Yes, this came out last week, but I'm including it here anyways. This was a strong first issue, but not a strong introduction to The New 52. On that level, it didn't succeed. But I'm not going to lie: It was great to see a Jim Lee-drawn comic again.

Action Comics #1  - My expectations were high for this book. Grant Morrisson's All-Star Superman is one of the landmark stories for the character, so we all know what he's capable of doing with the character. But this book... this is a very different Superman. This Superman is a bit more reckless, unexperienced, and a bit more anti-authoritarian. It was great to read a Superman who didn't come off as having a stick up his you-know-where.

It was great. Fresh. New. Innovative, while paying homage to the past. Plus the last page... so simple, yet brilliant.

Animal Man #1 - This book creeped me out. It really did, the whole issue made me feel anxious. How is that possible? I don't know, but it happened anyways. And the last page... wow. CREEPY. Don't give this one to your kids, they'll have nightmares (seriously).

Batman Detective Comics #1 - Sweet mary, mother of god, if Animal Man #1 creeped me out, this one made my jaw drop. The last page is... no, I'm not going to use any words to read it. But you Will Not See That Coming. This issue was dark, bloody, and then the ending? Wow. Just... wow. Okay Tony Daniel, you got my attention.

Batgirl #1 - Can I talk about Babs getting her legs back without the internet going crazy? Good. So yeah... Babs is back in the costume. They acknowledge The Killing Joke, and her paralysis, but they gloss over her time in the wheelchair. Ignoring the backstory, this is a younger, less-somber Babs, and I think this book is going to surprise the naysayers.


Batwing #1 - I didn't have a chance to read it. BAD SCOTT. BAD SCOTT.

Green Arrow #1 - Adios, beard. Adios, Black Canary. Neither are around, and this is a clear mix of the ornery Ollie we all know and love, and the poutier Green Arrow seen on Smallville. The art didn't do much for me on this book, but the writing was tight; That said, this book was fun, but didn't overwhelm me.

Hawk and Dove #1 - Don't hate. No, really, this wasn't bad. This amped up the tension and drama between Hawk and Dove, dropped a lot of hints about Dove's connection to the original Dove, acknowledged the relationship between Dove and Deadman that came out of Brightest Day. I had low expectations, but this was pretty fun. As for the art... Liefeld did okay here.

Justice League International #1 - As a huge fan of the original JLI/JLE run, this was a bit of a disappointment. The characters didn't quite mesh together as well as you'd like. Some of the ha-ha's were still there, but it didn't quite have the humor that made the original run such a classic. That said, I have faith in Giffen, as should you all. Noone does these characters better, it just might take an issue or two for him to get back into the swing of things.

Men of War #1 - This was a gritty-but-not-overbearing war story, featuring a character with the last name Rock. And although this isn't my normal cuppa... I really liked it. Fun and dark, but without being overly so. Color me surprised by how good this was.

OMAC #1 - I opened this up, prepared to dislike it, and came away satisfied. There's TONS of Kirby riffs in this, from the artwork to the layouts, to the writing, but done well. Another pleasant surprise.

Static Shock #1 - A fun yarn, right from the beginning. Fans of the character are going to enjoy seeing Static back in action. I never watched the cartoon, so I don't know much about the character, but this book jumped off the page. Great stuff.

Stormwatch #1 - As an old-school Wildstorm fan, reading this was painful: It's a clear re-boot of all the Authority and Stormwatch characters. As someone who knows nothing about any of them, or has not attachment, it was a decent read. I think I probably set the bar too high on this one for myself.

Swamp Thing #1 - ... But this book: WOW. Great, GREAT first issue. Scott Snyder's been killing it at DC, and this issue managed to give the character(s) a fresh slate, but still keeping Swamp Thing's history intact (especially the Alan Moore stuff). Great read, highly recommended.

-Scott

DC in September - The New 52

We're getting a lot of questions about what DC Comics is doing in September with the 52 #1's: They're relaunching all the books?  They're rebooting them? Morpheus is taking over the Teen Titans? They're making Krypto the new Wonder Woman?

(Yes, No, Um, and waitwhatareyou-), respectively.

DC sent out a FAQ last week. Get the answers. Feast your eyes.

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GENERAL

* Why do it?  There is a lot of speculation out there, are you "rebooting" the titles?

This is an epic and ambitious initiative that ushers in a new generation of comics for DC Comics and will set the tone for storylines and characters for years to come.  With all of the titles starting at #1, our creative teams have the ability to take a more modern approach - not only with each character, but with how the characters interact with one another and the universe as a whole, and focus on the earlier part of the careers of each of our iconic characters.  A time when they didn't have as much experience defeating all their nemeses.  A time when they weren't as sure of their abilities. A time when they haven't saved the world countless times. It's this period that is rich with creative opportunity as we show why these characters are so amazing, so iconic and so special.

We think fans will be excited by this approach and The New 52 will provide DC Entertainment an opportunity to aggressively reach the widest possible audience worldwide, through captivating stories and an accessible entry point.  We see great opportunities to tell new, contemporary, cutting edge stories building off the best known, classic stories that make up each of the title's back histories.

* DC Comics has had a number of reboots, what makes this one different?

This is not a reboot, it's a launch.  This is a historic initiative for DC Entertainment and the DC Comics characters - and a first in the company's publishing history. This next era of DC Comics characters will see 52 all-new #1 issues of its super hero titles at the same time AND same-day digital across the board. In addition to the number changes, our talented creative teams are working behind the scenes to create compelling storylines and new costume designs for many of our iconic DC Comics characters.

* Why not call it a reboot?

It's not a reboot.  A reboot is typically a restart of the story or character that jettisons away everything that happened previously.

This is a new beginning which builds off the best of the past.  For the stories launching as new #1s in September, we have carefully hand-selected the most powerful and pertinent moments in these characters' lives and stories to remain in the mythology and lore.  And then we've asked the best creators in the industry to modernize, update and enhance the books with new and exciting tales.  The result is that we retained the good stuff, and then make it better.

* Does The New 52 undo events or continuity that I've been reading?

Some yes, some no.  But many of the great stories remain.  For example - Batgirl.  The Killing Joke still happened and she was Oracle.  Now she will go through physical rehabilitation and become a more seasoned and nuanced character because she had these incredible and diverse experiences.

* So will all titles be entry points or will you need to know back-story for some?

Each title will read as a #1 issue that will make jumping into the story extremely accessible for all types of readers. The stories are designed in a way that new fans will be able to pick up a book and immediately be drawn into the story, while at the same time existing fans will be engrossed by the new and epic moments that take place.

* Do the new #1s mean that the previous stories didn't take place?

Our creative teams have a firm understanding of the storied heritage of characters and titles. The new #1 issues will introduce readers to a more modern, diverse universe of DC Comics characters, with some character variations in appearance, origin and age. All stories will be grounded in each character's legend - but will map to real world situations, interactions, tragedies and triumphs.

Overall, DC Entertainment is focused on putting out the most innovative storylines, featuring the most iconic characters, created by the most creative minds within the industry.

* Might you just introduce a new DC "Ultimate" line and give it the spotlight for a few months, then have the opportunity to bring back the other continuity? Will this all be put back to "normal" after a few months?

No - this is the new universe of DC Comics characters.  This is an epic and ambitious initiative that ushers in the next era of the DC Comics characters and will set the tone for storylines and characters for years to come.  This is not an "event," because events expire.

* Why are you changing the costumes?

DC Entertainment is led by some of the biggest fans of comics out there. We know that if Geoff and Jim are excited about the stories and artwork, we're on to something big.  While there may be some naysayers, when we thought about starting the entire DC Comics universe line of comics with #1/first issues we looked at the benefits for the long haul, not just a year or two.  Our goal is to create a watershed moment for DC Entertainment - and the industry as a whole - where fans will remember this as a time of innovation while maintaining DC Entertainment's commitment to creating entertaining and masterfully created stories.

* Do you not care about your company's history? If you do this right, what do you want your legacy to be 75 years from now?

The legacy of DC Entertainment, and DC Comics before it, is based on the creativity of our editors and our creative talent, and our commitment to the best storytelling possible.  DC has always been about character development and growth.

Take Batman for example.  In the early days he was a vigilante who brandished a gun.  Then he morphed into a whimsical character and then in the 1960's he became more of the gritty, grim avenger of the night.  We can all agree that we are glad Batman evolved.

Our goal is to create a watershed moment for DC Entertainment - and the industry as a whole - where fans will remember this as a time of innovation while maintaining DC Entertainment's commitment to creating entertaining and masterfully created stories.

* Specifically why end Action and Detective before they reach their 1,000th issues? Action Comics is the longest running American comic book, followed closely by Detective Comics, the company's namesake. Isn't renumbering these series actually a retreat from the love of "comics as comics"?

Our Co-Publishers and editors thought long and hard about this.  It was an extremely important decision that was not taken lightly.  But executing this unprecedented event meant taking creative risks on every level and pushing forward with big, new ideas.  A partial renumbering would not have had the impact we needed to showcase the amazing changes and direction we have planned for the new DC Comics universe of characters.  Counting issue numbers is focusing on the past, not the future.

* Can this event fix/undo an event I don't like from the past?/ Can this event bring back a character from the past that I miss?/ Does this event change the status of (insert pretty much any character here)? What would you say to someone whose favorite superhero no longer exists?

Characters are always evolving in the DC universe and part of the evolution means that characters come and go. While not all current characters will be part of the new DC Comics line of books, we are confident the ambitious plan we are creating will introduce a new generation of protagonists and antagonists that will captivate readers.

We are kicking things off with our best and brightest characters and what makes them so compelling and great.  Simply because you don't see a personal favorite in the September launches doesn't mean your favorites are gone.  This is just the beginning.

Variants

For variants, we chose our core iconic titles..  And of course, we sought out those titles with the most compelling visuals.  This variant program will continue for September, October, and November at least.  We will be offering variants on five different titles, effectively one each week.  Some specifics so far:

JUSTICE LEAGUE #1 VARIANT EDITIONS

There will be 1:25 and a 1:200 (yes, we're ordering the 1:200 - Scott)

VARIANT COVERS

There will be limited variants for each of the following, plus a 1:200 (No, we don't know if we're ordering those for these titles - Scott)

·        ACTION COMICS #1 VARIANT EDITION
Cover by Jim Lee and Scott Williams

·        BATMAN #1 VARIANT EDITION
Cover by Ethan Van Sciver

·        GREEN LANTERN #1 VARIANT EDITION
Cover by Greg Capullo

·        THE FLASH #1 VARIANT EDITION
Cover by Ivan Reis and Tim Townsend

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More soon.

-Scott.